By Pamela Y. Dees, Pamela Youngdahl Dees
Designed as a realistic reference consultant for pro pianists and piano lecturers, A advisor to Piano track via ladies Composers, quantity I, is an annotated catalogue of the to be had piano track in print composed through one hundred forty four ladies born earlier than the 20 th century. The paintings additionally gains biographies and huge bibliographical details for every composer. prepared alphabetically by means of composer into different types together with unmarried works, collections, and anthologies, the song is usually defined when it comes to grade point, style, temper, kind features, and technical requisites, and levels in trouble from past due undemanding to virtuoso live performance repertoire. a ways too many lecturers, scholars, expert musicians, and audiences are blind to the contributions made through ladies in tune, and of the sweetness and benefit in their particular compositions. This reference paintings presents a useful addition to the present literature.
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Additional resources for A Guide to Piano Music by Women Composers: Volume I Composers Born Before 1900 (Music Reference Collection)
D-flat major, 6/8, allegretto, 9 pp). Tone painting establishes a Norwegian atmosphere in this lengthy movement. II. The Giant Troll (G minor, 6/8, allegretto molto energico, 2 pp). An ungainly, gruff march, discordant and chromatic. III. The forest nymph. (D major, 3/4, largo, 3 pp). Serene and lovely main theme, with a playful middle section. IV. The Bewitched Captive’s Lay. (A minor, in 4, molto largo, 3 pp). Aeolian harmonies echo Norwegian folk tunes. V. Dance of the trolls. (A minor, 3/4, moderate a la burla, 4 pp).
Hall, 1990). Les Reves de Columbine, Op. 65/1-3. American Women Composers: Piano Music from 1865 to 1915, ed. Glickman (Hildegard, 1990). Dreaming Op. 15/3 and Sous les Étoiles Op. 65/4: At the Piano with Women Composers, ed. Hinson (Alfred, 1990). Promenade and Waltz Op. 25/1, 3; Scottish Legend Op. 54/1. The Bicentennial Collection of American Keyboard Music, ed. Edward Gold (MacAfee, 1975). Scottish Legend Op. 54/1. Great Women Composers, ed. Gail Smith (Pacific, MO: Creative Keyboard Publications/Mel Bay, 1996).
Op. 36/5. Ballade. Level: Late Intermediate. (E-flat minor, in 4, andante, 5 pp). A tragic march opens the piece, echoed by bass octaves like a Greek chorus. A contrasting fanfare in E-flat major sounds: perhaps the hero is coming to the rescue. Texture is Brahmsian, with LH octaves and thick heavy RH chords. Descending double octaves herald the return of A. Great dramatic fun. Fantasistykker Op. 36, Heft 2: Nos 6–9 . Op. 36/6. Ungdomssang [Youth’s song]. Level: Mid-Intermediate. (B-flat major, 9/8, andantino, 1 pp).
A Guide to Piano Music by Women Composers: Volume I Composers Born Before 1900 (Music Reference Collection) by Pamela Y. Dees, Pamela Youngdahl Dees