By David Kidger
This key textual content often is the first full-length learn software on Adrian Willaert, the Renaissance composer of motets and madrigals who got here to prominence within the first a part of the 16th century, and will turn out beneficial to researchers and scholars.
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Extra info for Adrian Willaert: A Guide to Research (Routledge Musical Bibliographies)
4], p. VI Magnum hereditatis misterium [no. 5], p. VIII Ave regina coelorum mater regis [no. 6], p. IX Spiritus meus attenuabitur ii Libera me Domine et pone me [no. 7], pp. X–XI Veni Sancte Spiritus ii Sine tuo nomine [no. 8], p. XII–XIII Domine Jesu Christe memento quod tu ii Et concede mihi omnipotens [no. 9], pp. XIIII–XV Quem terra, ponthus, aethera ii Beata coeli nuntio fecunda [no. 10], pp. XVI–XVII Sources of Willaert’s Music 29 Dulces exuviae dum fata deus [no. 11], p. XVIII Flete oculi rorate genas [no.
4], f. 4 21 In Epiphania Domini. Ad Vesperas. Aures ad nostras [a 4] iii Crimina laxa [a 3] v Christe lux [a 4] vii Tu nobis dona [a 3] ix Gloria deo sit [a 5] [no. 5], f. 4v In Dom[inicis] diebus in Quadragesima. Ad Vesperas. Vexilla regis [a 4] iii Quo vulneratus [a 4] v Arbor decora [a 4] vii O crux ave [a 5] [no. 6], f. 6 In Dominica de Passione. Ad Vesperas. Vexilla regis [a 4] ii Quo vulneratus [a 3] iii Impleta sunt [a 4] iv Arbor decora [a 3] v Beata cuius [a 4] vi O crux ave [a 5] vii Te summa [a 6] [no.
36], pp. 86–87. Onde tolse Amor l’oro [a 5] ii Da quali angeli mosse, & di qual spera [a 5] [no. 37], pp. 88–89. Giunto m’ha amor fra belle, & crude braccia [a 5] ii Nulla posso levar io per mio ingegno [a 5] [no. 38], pp. 90–91. I begliocchi; ond’I fui percosso in guisa [a 5] ii Questi son que begli’occhi [a 5] [no. 39], pp. 92–93.
Adrian Willaert: A Guide to Research (Routledge Musical Bibliographies) by David Kidger