By Nicolas Slonimsky, Laura Diane Kuhn
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Additional resources for Baker's Biographical Dictionary of Musicians, Vol. 3: Haar-Levi
He also served as music master to the daughters of the Prince of Wales; for Princess Anne he composed his first collection of Suites de pieces pour Ie clavecin (1720), also known as The Lessons, which includes the famous air with variations nicknamed The Harmonious Blacksmith. In 1719 he was made Master of Musick of a new business venture under the name of the Royal Academy of Music, established for the purpose of presenting opera at the King's Theatre. The first opera he composed for it was Radamisto (April 27, 1720).
29, 1733. Handel's opera Arianna in Creta had its premiere at the King's Theatre on Jan. 26, 1734, but in July of that year both Handel's company and the rival enterprise were forced to suspend operations. Handel set up his own opera company at Covent Garden, inaugurating his new season with a revised version of II Pastor fido (Nov. 9, 1734); this was followed by Ariodante, Alcina, Atalanta, Arminio, Giustino, and Berenice, all staged between 1735 and 1737; only Alcina sustained a success; Handel's other operas met with indifferent reception.
Aug. 5, 1984. He studied organ and composition at the Oberlin (Ohio) ColI. Cons. , 1960), and then at Syracuse Univ. , 1962). 's Calvary Episcopal Church (later combined with Holy Communion and St. George's; 1963-83). Hampton was a brilliant recitalist who played his own notable transcriptions of works by Chopin and Mussorgsky. On March 2, 1980, at St. S. performance, in French, of Franck's oratorio Les Beatitudes. His compositions fuse popular and classical influences with striking effect, producing a lyrical and romantic underpinning that belies the modernity of their instrumentation.
Baker's Biographical Dictionary of Musicians, Vol. 3: Haar-Levi by Nicolas Slonimsky, Laura Diane Kuhn