Download e-book for iPad: Feminist Disability Studies by Kim Q. Hall

By Kim Q. Hall

ISBN-10: 0253356628

ISBN-13: 9780253356628

Incapacity, like questions of race, gender, and sophistication, is likely one of the so much provocative issues between theorists and philosophers at the present time. This quantity, located on the intersection of feminist conception and incapacity reports, addresses questions about the character of embodiment, the that means of incapacity, the impression of public coverage on those that were categorized disabled, and the way we outline the norms of psychological and actual skill. The essays the following bridge the distance among thought and activism by way of illuminating buildings of strength and exhibiting how ancient and cultural perceptions of the human physique were expert by means of and contributed to the oppression of girls and disabled humans.

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As many feminist critics have pointed out, the beauty system’s mandated standard of the female body has become a goal to be achieved through self-regulation and consumerism (Wolf 1991; Haiken 1997). Feminist disability theory suggests that appearance and health norms often have similar disciplinary goals. For example, body braces that were developed in the 1930s, ostensibly to correct scoliosis, discipline the body to conform to dictates of both the gender and the ability systems by enforcing a standardized female form similarly to the nineteenth-century corset, which, ironically, often disabled female bodies.

Similarly, Barbara Hillyer has called attention to dependency in order to critique a liberal tendency in the rhetoric of disability rights (1993). Disability Apago PDF Enhancer integrating disability, transforming feminist theoryâ•… 29 itself demands that human interdependence and the universal need for assistance be figured into our dialogues about rights and subjectivity. Identity The third domain of feminist theory that a disability analysis complicates is identity. Feminist theory has productively and rigorously critiqued the identity category of woman, on which the entire feminist enterprise seemed to rest.

The purpose of aesthetic surgery, as well as the costuming of power, is not to appear unique—or to “be yourself,” as the ads endlessly promise—but rather not to be conspicuous, not to look different. This flight from the nonconforming body translates into individual efforts to look normal, neutral, unmarked, to not look disabled, queer, ugly, fat, ethnic, or raced. Beauty, then, dictates corporeal standards that create not distinction but utter conformity to a bland look that is at the same time unachievable so as to leash us to consumer practices that promise to deliver such sameness.

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Feminist Disability Studies by Kim Q. Hall

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