By Maurice Hinson
Now in paperback!Music for multiple Piano An Annotated GuideMaurice HinsonWhen one piano isn't enough."Maurice Hinson's [Music for multiple Piano] ought not just to face within the bookshelf for reference, yet as a real dictionary within the top feel, it may generally be learn for excitement and enlightenment." -- Konrad WolffIn an alphabetic directory by means of composer, this consultant describes works for 2 or extra keyboard tools composed normally seeing that 1700. the variety of combos is huge: works for 2, 3, 4, or extra pianos; for 2 or extra pianos with different tools, voice, or tape; for piano and harpsichord; for 2 participant pianos; and for 2 pianos tuned a quarter-tone aside. There are compositions to be played on pianos by way of one, , 3, and 4 avid gamers, in addition to one paintings for 2 avid gamers, left hands.Maurice Hinson's feedback concerning the kind, the functionality difficulties, and the historical past of particular items are, as ever, insightful and pleasant. A treasure map for lecturers, scholars, and performers!Maurice Hinson, Senior Professor Emeritus of Piano at the Southern Baptist Theological Seminary, was once founding editor of the magazine of the American Liszt Society and is a contributor to the hot Grove Dictionary of yankee song. he's recognized for his many articles, movies, and lecture recitals, in particular these on early American piano tune. he's writer of numerous books on piano literature, together with the crucial consultant to the Pianist's Repertoire, third version (Indiana collage Press).March 2001 (cloth 1983)256 pages, 6 1/8 x nine 1/4paper 0-253-21457-2 $22.95 s / ?17.50
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Additional resources for Music for More Than One Piano: An Annotated Guide
A major problem for the performers are the durations, which are ordered arithmetically (from one to twelve 32nd notes). "Despite the fact that they are precisely measurable, they change with the tempos and become increasingly difficult to measure in quicker movement" (Leonard Stein, "The Performers Point of View," PNM [Spring 1963]:65). " A challenge for only the most mature pianists. D. Roger Boutry (1932 ) France Trásné * (Sal 1967) 5 min. Allegro moderate; Allegretto; Vivace. Strong rhythms, many ninth and eleventh chords, octotonic.
Two Jamaican Street Songs (Bo&H 1944) 11pp. Mattie Rag; Cookie. Contrasting. " M-D. , 18 min. Fluente, ma non troppo presto; Tempo quasi passacaglia; RondoAllegro. Three contrasted movements filled with effective and well-defined material. Full textures demand considerable virtuosity, many octave-doublings give body to a harmonic scheme based on thirds and hammered into traditional formal shapes by the relentless energy of ostinato motor rhythms. Exploits full resources of both instruments. D. , 18 min.
Includes performance directions. Serial, expressionistic, proportional rhythmic notation, free-style, "as little pedal as possible to the end," avant-garde. D. Claude Bolling (1930 ) France Sonata for Two Pianos, Percussion and Double Bass (Les Editions Bleu Blanc Rouge 1973) parts. Piano I (classic) 30pp. Piano II (jazz) 34pp. Percussion required: cymbal, hi-hat, snare drums, small tom tom, big tom tom, bass drums. This sonata "has been composed to allow two pianists of different styles to play together.
Music for More Than One Piano: An Annotated Guide by Maurice Hinson