By Pamela Y. Dees
Frequently unknown and missed, solo piano tune written through ladies composers deserve house within the common piano repertoire. A advisor to Piano tune through ladies Composers quantity II: the 20th Century acts as a significant other to A consultant to Piano tune through ladies Composers quantity I: Composers Born prior to 1900 to create a complete reference of ladies composers and their paintings. quantity II comprises composers from international locations worldwide and of all various musical kinds and degrees, starting from straightforward to virtuoso. the single reference device of its style, this can be an integral advisor for pro pianists and piano academics alike.For all of the 850 composers indexed, there's a brief biography, an outline of obtainable track and the place it may be came upon, and a listing of extra references. Alphabetical listings with encyclopedia-style headings, transparent, succinct language, and grade degrees of compositions make this a realistic, basic source to notify and teach piano fanatics in regards to the contributions of ladies composers.
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Extra info for Piano Music by Women Composers, Volume II: Women Born After 1900 (Music Reference Collection)
Style similarities to Schumann. Late Int. Woodland Waters (Ramsey 1979/ILL) 14p. Not likely to be mistaken for the work of Liszt. Early Adv. Bruzdowicz 33 Also: Impromptu in E Minor and Two Studies (Chopin); Swan at Twilight and En Bateau (Liszt); Compositions From the Other Side. [Cohen, Hinson] BRUSA, Elisabetta (1954- ) Italy Composer, conservatory teacher; st. Milan, England, Tanglewood; prizes, fellowships, commissions. Works: orchestra, chamber, guitar, piano, violin. Style: carefully crafted sonorities, textures (Sadie and Samuel 1995, 90).
Maria’s Rags (1985) 6:09. 2pf duet. 2 movements. Dedicated to, and recorded by, Leanne Rees and Stephanie Stoyanoff: Music By American Women Composers (Bravura BR 1001, 1988). Also for 2 pf: Dance Suite; Mermaid’s Aria. [Walker] C CALAME, Geneviève (1946-1993) Switzerland Concert pianist, composer; st. , Accademia Chigiana, Stockholm, Paris, USA; prizes. Works: orchestra, chamber, voice, ballet, electronic, multimedia. Style: instrumental timbres sounding over slow-moving harmonies. Swing, in “CH Piano: Zeitgenössische Schweizer Klaviermusik” (Nepomuk 1987) 2p.
Early Adv. (Above descriptions: Carrigan 2002, 49-53). See Australian Music Centre for many more available titles. [AusMC, Boenke, Cohen, Heinrich, K800, LePage3, scores, S&S] CARVALHO (-Murici/Muricy), Dinorá Gontijo de (1904-1980) Brazil Concert pianist, conductor, professors, one of the foremost composers of Brazil; founder-director of first women’s orchestra in South America; honors, awards, prizes. Works: orchestra, piano (80 works), vocal, ballet, theatre. Style: nationalist, later used complex rhythms, individualistic timbres.
Piano Music by Women Composers, Volume II: Women Born After 1900 (Music Reference Collection) by Pamela Y. Dees